2/04/2013

House of Low Culture - Edward's Lament

 
Artist:       House of Low Culture
Album:     Edward's Lament
Year:        2003
Line-up:   Aaron Turner, Jeff Caxide & Luke Scarola
Label:      Neurot Recordings

We're beyond mass and matter here, beyond even energy. What we're back to is the first thought”. 
Eddie Jessup in Altered States

House of Low Culture is a side project of Aaron Turner who is known best from playing the guitar and providing vocals in the famous post-rock/sludge metal group called Isis. In House of Low Culture Turner focuses his creative energy on exploring the possibilities of ambient and drone music. Edward's Lament is the third release from the project and here Turner is joined by one of his fellow band members from Isis, Jeff Caxide and Luke Scarola from Old Man Gloom, another metal band of Turner. 


On this album ,Turner has ventured forth in to more experimental fields of music. Normally, Edward's Lament is categorised as dark ambient and drone. One could sum up the dark ambient genre briefly by describing it as a subgenre of ambient music which focuses on gloomy, ominous and oppressive atmospheres and soundscapes. Usually lacking the basic pillars of western music (melody, harmony and rhythm) dark ambient artist face a difficult task when trying to compose appealing music to capture the listeners' imagination and attention for the whole album's worth. Here Turner takes on an additional challenge: making a dark ambient concept album. The concept here revolves around a 1980 science ficiton-horror film by Ken Russell called Altered States. The synopsis of the movie is as follows: A researcher Eddie Jessup believes that the altered states of consciousness are as real as the everyday reality. Jessup, as the guinea pig himself, researches those states in sensory deprivation isolation tanks while under the influence of psychoactive drugs. Edward's Lament tries capture the explorations of Eddie Jessup through sound. It is debatable whether or not the term 'music' is appropriate here since the material here is on the limits between music and pure sound and noise. The album consists mostly from various soundscapes of numerous different whistlings, hissings, buzzing, beeps and pulsating drones. Every now and then few distinguishable guitars are thrown in to the mix. 



Needless to say, this album is rather difficult to listen. The album is a long collage of ambient soundscapes which build around between almost unnoticable textures and details. While the actual movie has its' flaws, it is still very intriguing on both visual and idea level. No doubt the movie experience will fuel the listener's imagination to dive deeper in to the emotional core of this album. It requires the full, undivided attention of the listener to fully appreciate and catch all the nuances of Edward's Lament and it should be experienced as the experiments of Eddie Jessup: in a dark room with the headphones with as little outside distractions as possible. Take a trip to your inner self through music.



Written by Παναγιωτιης

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